The designs are wonderful. What made you decide to self-publish this collection?

Before publishing the collection, I had published in lots of different formats—internet magazines like knitty.com, metapostmoderknitting.com, and knotions.com (the last two are, unfortunately, no longer active), print magazines like Interweave Knits and Knitscene, books, and individual self-published patterns. I came to realized that there was no publisher out there that would just let me take my ideas and just… go. So I decided to just do it.

You said your sister did the graphic design for the book, and the models all seem to be related to you—was the entire book a family project?

It was; all the models are friends and family, and my sister did the bulk of the photography and all the design. Picture the two of us sitting on the futon in my living room every evening and weekend for the month of August getting the book produced. It was crazytown! Waiting for last-minute tech edits, changes to schematics, pulling the Death Race jacket onto the baby downstairs before he grew out of it, waiting for the last sample to arrive from Canada, sleeping a few hours a night, then going to my copyediting job all day! AAAAGH!

There are relatively so few knitting books that are available as ebooks—what made you decide to publish yours in both formats, not to mention as individual patterns?

Due to the growing popularity of knitting blogs and the advent or Ravelry.com, a lot of knitters are interested in downloadable patterns. They offer instant gratification (as soon as you pay you get your patterns!), the ability to save the patterns and print out working copies as needed, and, often savings. Honestly, I initially thought about publishing the patterns ONLY as an ebook to save money on production costs, but, upon further consideration, the absurdity of that choice became obvious.

My work is about producing beautiful, hand-crafted products, and I wanted the book itself to be a beautiful object, because knitters appreciate these things. Yes, I make less money on the printed books, but I also sell about the same number of printed books and ebooks, which is interesting. It shows me that I’m reaching two different audiences: those knitters who prefer a less-expensive ebook, and those who would rather pay more for a hard copy.

And there’s a third group of knitters I’m able to reach with the individual patterns, which tend to be either newer knitters who want to make one of the easier patterns, like the Albers Cowl or the Button Coil, or knitters who are either only interested in one of the patterns or who like to buy patterns as they’re ready to start the project. So I think I’m reaching as many knitters as I can, which is the goal!

Do you have a favorite pattern? (Not necessarily in this collection, specifically.)

Is this limited to my own patterns? Ha! Yes, I have three, for different reasons. First, Neiman , because it was my first published pattern (and also the first pattern I attempted to publish). Knitters have been making this pattern since fall 2007, and have created all sorts of awesome modifications, which speaks to its enduring style and appeal.

Second, the Albers patterns. Not only were these incredibly fun to make, they also got me started on my investigation into and experimentation with color theory, which is something I’ll be teaching at Fibre Space in Alexandria, VA this spring and hope to teach elsewhere in the future. It’s also playing a big part in my upcoming patterns!

Third, oh, third is a tie between the Johnny Rotten Jacket and my latest pattern, Oranje. Each one was a tour de force; I was given complete control and able to produce statement pieces. Getting designs like this out there, which might not be the most popular among knitters due to their difficulty, is important, because it catches the attention of knitters, who then go on to look at my other patterns, and also the attention of publishers, yarn store owners, yarn companies, and anyone else who might be interested in having me produce a design.

Finally, my favorite patterns from others include Felicity, which I consider the final word on slightly slouchy hats, and the Danish Tie Shawl from Spin-Off, spring 2008, which I consider the final word on simple triangle shawls. If you’ve met me in cold weather, I’m probably wearing one of these projects!

How would you describe your design style?

Clean, modern, and unexpected. Adventurous yet wearable.

I hadn’t followed your blog before this weekend. (That’s changed now.) But I recognized a distinct Mason-Dixon influence on your designs right away, so I wasn’t surprised to see that you three know each other. How much do you feel influenced by other designers?

I don’t have too many direct influences… I look to “outside” material, most recently, 20th-century art, 70s punk style, athletic uniforms, and literature. The knitwear designers that influence me are usually those who have ideas that go beyond just making a garment, designers that have a philosophy that informs their work. Obviously Kay and Ann (Mason-Dixon Knitting) fall into this category, as do Lizbeth Upitis (Latvian Mittens), Nancy Bush, Staceyjoy Elkin, and, lately, Courtney Kelly and Kate Gagnon Osborne, who, together, are the distributors of Fibre Company yarns.

I’ve never actually knit log cabin blocks myself (I know, it’s a shock). What is it that makes them so appealing/addictive?

Ahhh… they’re all garter stitch, so they’re relaxing. They’re also knit in one piece, which makes them convenient and rewarding. Finally, and this is the most important aspect for me, the color combinations are endless and fascinating.

I was thrilled to see Oranje, the Knitty Winter Surprise sweater in person. It’s just gorgeous (and goes with the Go Dutch! Mittens), and has some great details and unique techniques. Were you afraid you were making it too hard for the average knitter?

As I mentioned above, sometimes I like to just go crazy and not worry about the average knitter. I wouldn’t do this with an individual download, because I would put a lot of money into tech editing, money that I might never recoup. However, a publication like knitty or a book like Brave New Knits WANT patterns of varying levels, because their sales or popularity doesn’t depend on one widely accessible pattern.

Plus, there are plenty of intermediate and advanced knitters out there, and I think they’re often neglected, as designers seek to publish things that are easy and quick to knit. Knitters love a challenge! And, for those knitters who aren’t ready to tackle Oranje, it’s an inspiration to keep learning!

So, your current day job is copyediting—how did you get into that? And what else have you done?

I fell into it, like everything else I’ve ever done. Man, the story is just too odd, and I’ve already blathered a lot here, so if anyone is really interested, read the blog.

Other things I’ve done, in reverse chronological order: Overnight commercial bread baker, barback and hostess at seafood restaurant, assistant office manager, medical secretary, temp, state bureaucrat, temp again, dominatrix, assistant curator, Akkadian instructor, Harvard teaching fellow, Christian Dior cosmetics counter manager at Macy’s, maintenance assistant, prep cook, artist’s model, hardware and paint sales associate, deli clerk, artist’s assistant, waitress, janitor. That’s not even all of them, but it gives a nice idea of the range.

When you’re not knitting or working, what do you like to do?

That’s actually a tough question these days; I feel like I’m always working on one thing or another. I love to travel and explore new cities, and my knitting book has actually given me an excuse to do a lot of that this past year. I enjoy walking and hiking, cycling with my husband, working out (I used to do serious weight training, but lately I’ve been doing pole dancing… yes, pole dancing… I have a pole at home), eating new foods, hanging out in bars, and reading everything I can get my hands on. I read an average of a book a week when I’m not swamped with work. My current goal is to read all the Man Booker Prize winners. I’m about halfway there.

I know you were worrying about getting your haircut, but thought it looked wonderful. Do you usually experiment with your hair? Or do you prefer to keep things simple?

I’m all over the place with my hair. Usually it’s dyed some shade of unnatural red, or bleached blond, but, working as a baker last year, I stopped doing such elaborate dye jobs because the constant washing just destroyed them. I was less worried about getting it cut than DESPERATE to get it cut. I was so busy this fall that the two times I got haircuts were while I was visiting different cities, Seattle and New York, and were both walk-ins at barber shops!

Now that I don’t have to wash my flour-coated hair every day, I’m thinking about doing some great color again. We’ll see. Whatever I do, however, has to be a style that I can just roll out of bed with. I don’t do anything to my hair in the morning, and haven’t for years! When people ask me how I style my hair, the truth is that it looks however it did when I got out of bed and is “styled” by being kind of dirty.

What haven’t you designed yet that you really want to do?

Oooooh, I’m working on some of these things now! First, a man’s fisherman’s sweater… sort of a male version of Ambergris. Second, something I’m calling the “Mark Rothko Project,” which is a massive color study. Third, a collection of graphic knits, both accessories and garments, many of which include words and phrases. That’s just the beginning.

What’s your favorite breakfast food?

Coffee. I don’t eat breakfast. BUT if we’re talking breakfast food for dinner, I like steak and eggs best.

My dog Chappy would be crushed if I didn’t ask you if you have any pets…

I have two big white cats. Both were rescues. Max, the older one, is loving and stupid. Chinaski, the younger one, is loud, needy, but still very loving. I’ve been thinking about getting a dog, but want to be sure I have a stable enough life first.

If you had an extra two hours in the day, what would you do with them?

Probably sleep. I don’t do enough of that and I love it. Yeah, I would definitely spend them taking a two-hour nap.

Name one yarn you’ve never tried but would love to knit with.

Handmaiden’s Great Big Sea. In either “Mineral” or “Ebony.” Can you tell I’ve thought about this?

What is the one thing you would want to say to a new knitter?

Go for it. Just… go for it!!! Don’t be afraid! Also:

1. Regarding speed: The more you do it, the faster you go. Give it time.
2. Regarding garment fit: SWATCH. Seriously. SWATCH.
3. Regarding big projects: If you can knit a sock or a mitten, you can knit a sweater. It will just take a lot longer. It’s up to you if you want to devote the time to it, but you absolutely can do it.

If you could have a superpower (knitting or otherwise), what would it be?

I would like to fly. I often have dreams that I’m flying and it’s awesome.

Since this IS a site for book reviews–two questions: What do you look for in a book review?

I like a mix of discussion of the specific patterns in the book, the feel and quality of the book in general (my pet peeves are lack of white space and type that is NOT BLACK AGAINST WHITE. Please, knitting books are instruction manuals! Make the instructions clear! Please!), the ideas behind the book, bio about the designer, and links to more of the designer’s work.

And, since I’m slowly working my way through my knitting book collection, are there any particular books–other than your own, of course–that you’d like to see reviewed? Maybe I could bump something up the list for you?

My two recent favorites are Vintage Modern Knits and Modern Top-Down Knitting. These are the sorts of books I look to for inspiration: filled with considered, detailed, well-constructed garments. I appreciate books that include big projects, lots of sweaters. Even if I never make any of these sweaters, they make me think about construction, fit, and style possibilities. When I looks through these books, I think, “Why is EVERYONE not making these patterns? They’re SO FLATTERING!!!”

Any questions that you WISH someone would ask you? If so, what’s the question–and what’s the answer?

Most of these questions are… well… potentially divisive. If you read my blog, you can get a sense of my values, but I don’t aim to write a political or ideological blog that has the potential of alienating any knitters. However, I’d like to be asked about my core values. And I would answer: The inherent value of work and the rights of workers, anti-materialism, and the value of education and learning for learning’s sake.

Thanks so much for being here, Ann!

Books (so far):

• Craft Work Knits

Other posts for this author:

• Craft Work Knit.

Welcome to Knitting Scholar! Congratulations on your second book, “How to Knit a Heart Back Home.” You’re the first novelist I’ve interviewed here—that doesn’t worry you, I hope?

Well, I wasn’t worried until you asked that… Should I be? *peeking over my shoulder*

Your second book revisits the town of Cypress Hollow. Did it feel strange writing about the same town, but different characters?

It felt great. I came to really love the town and its quirky residents, and getting the chance to hang out there longer was really enjoyable. I know it sounds strange, but sometimes I feel like I’m actually there, sitting at the Rite Spot or having breakfast at Tillie’s.

I was happy to see Abigail and Cade from “How to Knit a Love Song,” though, and they made more of an appearance than I see in a lot of other series. Did you have trouble finding the right balance of giving your readers a taste of the “old” characters while focusing on the new ones?

That was more difficult than I’d imagined. I didn’t want to bore readers of the first book with too much explanation, but I knew they’d need some, and I didn’t want to put in too little of it, either. In a way, though, it’s a relief when an “old” character walks on scene — I know them better, and they don’t surprise me with their actions as much as the brand new ones I’m still getting to know.

About those quotes from Eliza at the head of each chapter—I know some authors who started doing that and then hated being tied into it after a few books. Do you enjoy writing the quotes? Or are they a necessary chore?

You’d think I’d be tired of doing them, but really, they’re one of my favorite things to write. I write the whole book first, and then look at each chapter, one by one, trying to think of the scenes as Eliza would, trying to get into her head. It works so well that several times I’ve come back to an epigraph and can’t even remember writing it.

Is it possible that Eliza is just a little too meddling in the lives of the younger generation?

Oh, yes. Definitely. She always worked with the best intentions, but yes, Eliza always knew best when it came to love and didn’t mind saying so.

I enjoyed this book quite a bit and thought it was even stronger than your first one. Did you find writing it, publishing it, easier the second time around? Harder?

Thank you so much! And I found it so much harder to write this one than the first one. Exponentially harder, actually. I didn’t know how to structure it, and I fiddled around for a long time before I finally found the form that it wanted. I rewrote it from the ground up four times. I think it shows, though — all those drafts built what had been there the whole timed. I hope that’s true, anyway.

I understand you have another book coming, a memoir. What can you tell us about it?

Yes, in October, I have a collection of essays coming out from Chronicle Books called A LIFE IN STITCHES: Knitting My Way Through Loss, Love, and Laughter. I’m really excited about it. It’s a look at my life through the sweaters I’ve knitted, where I was at the time, what was happening around me. I worked really hard on it, and I can’t wait for its release.

With two published books under your belt and a third on the way, does it change the way you think of yourself? How you look at the world?

Actually, by the end of the year, I’ll have four books total out there, wandering the world. HOW TO KNIT A HEART BACK HOME is the new one, and WISHES AND STITCHES, the third Cypress Hollow Yarn, is coming out in October, as well as the memoir. It has changed the way I look at myself (I finally feel like I can call myself a writer, something I wrestled with for a long time), but it hasn’t changed much about the way I see the world. It just keeps on turning, same as it ever did, neither impressed nor dismayed that I’m now published. I kind of like that.

You have so much knitting in your books, so many characters seem to walk around with needles and yarn at all times, which just proves that you are a ‘real’ knitter yourself (as if we didn’t know). Do you find your knitting has changed since you started seriously writing? I’m guessing there’s less time for it, but how about less creative energy for it?

Good question. Yes, I have less time, but I still manage to knock out projects, so I find the time somewhere, but as to less creative energy, YES. I have so much less of it. I like simple things now, miles of stockinette, simple socks. I designed and test-knitted the two sweaters that came with the first and second book, but I didn’t have time for the third book’s design, so I hired a friend to design the shawl pattern that book will come with.

The sweater pattern at the end—is that your pattern? Can we see a picture?

Yes, it’s mine. Picture attached.

I know that the publisher had designed a cover that showed the sweater, but redid it because they wanted to go in “another direction.” Authors rarely get a say in their covers, and I like them both—were you sorry to see the sweaters go?

I was really sorry to see the sweaters go, and I didn’t think they could possibly design a cover I liked better, and then they did. I love the new cover even more than the prototype.

Would you rather be a knitting designer or a writer? (Which sounds like a stupid question since you’re clearly doing more writing, but …)

Oooh, a writer, for sure. I’m not the best at math, and I hate jiggering for different sizes.

Since I’m always looking for new recommendations, who are some of your favorite authors?

I love anything Sophie Littlefield writes (her new book AFTERTIME is dark, frightening, and amazing). And Barbara O’Neal is who I want to be when I grow up — I find all her books to be lovely and so very beautifully written, with what seems like no effort (but I follow her blog, so I know that’s not true….)

What’s your favorite breakfast food?

Favorite? Cadbury Creme Eggs. I guess that’s not reasonable, though, most of the time. Most often eaten breakfast? Plain old scrambled eggs.

My dog Chappy would be crushed if I didn’t ask you about your pets…

I LOVE THEM! Three dogs (a chihuahua, a pit/beagle, and a border collie), and four cats, all of them crazy and fiercely cuddly. Digit, the cat of my heart, is a huge jerk and hates everyone and everything, and I love him all the more for it.

If you had an extra two hours in the day, what would you do with them?

Lie in bed and read. Well, that’s what I’d want to do. In actuality, I’d probably work somehow. I can be a workaholic if I’m not careful.

Name one yarn you’ve never tried but would love to knit with.

Qiviut! Although I’m sure it would be too warm for me ever to wear.

What is the one thing you would want to say to a new knitter?

Baby steps! Take your time. All those people who say knitting is meditative are full of crap. Knitting is stressful until you get the hang of it! But then one day it really will click, and you’ll be flying.

If you could have a superpower (knitting or otherwise), what would it be?

Is it cliched to say the ability to fly? Because I’ve dreamed of that ever since I was a kid.

Since this IS a site for book reviews–two questions: What do you look for in a book review?

I look for objectivity. Of course, we’re human, so that’s an impossibility, but I love reviews that can look past what they adore to point out what might have been improved, and in the same vein, I love it when reviews look past a theme or plot-point they might hate to what’s strong about the writing.

And, since I’m slowly working my way through my knitting book collection, are there any particular books–other than your own, of course–that you’d like to see reviewed? Maybe I could bump something up the list for you?

I adore anything by Barbara Bretton — she’s a lovely writer, and a true knitter. I’d recommend her books highly, and I bet you’d like her, too. (How’s that for objectivity?)

Any questions that you WISH someone would ask you? If so, what’s the question–and what’s the answer?

You did such a great job that I can’t think of a thing. Thank you so much for having me!

Thanks so much,

Books (so far):

• How to Knit a Love Song: A Cypress Hollow Yarn
• How to Knit a Heart Back Home: A Cypress Hollow Yarn

Other posts for this author:

• How to Knit a Love Song
• How to Knit a Heart Back Home

Today’s visitor is Janel Laidman, author and designer extraordinaire. Janel, I’m so excited to hear about your new book, The Enchanted Sole, and delighted to welcome you to Knitting Scholar.

I understand that this collection of patterns is inspired by myths and legends—there are so many to choose from, how did you pick?

Mostly I picked legends or stories that I had a particular fondness for, like the Lord of the Rings trilogy, or Tristan and Isolde. Some patterns were based more on concepts that are common to many stories, like The Tree of Life, Tinker and Talking Fish. Sometimes I chose the story first, like with the Snow Queen sock, sometimes the design came first, like with the Traveler sock. With that one I knew I wanted a secret pocket, but then I had to figure out who would be wearing that sock.

I haven’t seen the book yet, but I’ve seen photos of some of the designs—they look so creative and fun—is that what you were going for when you designed them?

Well, yes. I think that socks are a fun place to try out new ideas and new techniques. They’re small and can be unobtrusive if you wish, so you can really get creative with them. Something that might be a little overwhelming on a sweater, can look really interesting on a sock. I also was really determined to make sure that all of the socks were wearable and not too over the top. I think this collection is a good balance between whimsical and wearable.

How is this book different from your first, The Eclectic Sole? (Other than the obvious fact of different patterns, of course. Or so I assume.)

This book is a more cohesive collection. The first book, was, well… eclectic! This time around I had the thematic approach of course, and I feel the designs are a bit more integrated with each other, and the book as a whole.

What’s your favorite part about designing socks? For that matter, why socks? (I mean, why NOT?)

I love designing socks because they’re a nice portable project, and they make a great canvas for trying out ideas. They’re also extremely useful, even when you live in Southern California (as I used to) your feet can get cold! You may not need a sweater, but socks are always welcome. I really enjoy thinking about how the overall sock will look, and I am interested in the topology of the foot and the design challenges it presents. Plus, even if you have to dress in the most conservative button down manner for work, you can always hide a pair of fancy socks under your trousers to remind yourself that you’re secretly a prince or princess!

What other types of things do you like to knit? I see that you’ve been doing mittens on your blog, so—what else?

Yes, I am currently smitten by mittens and gloves. I predict that might turn into a book one of these days. But I’m also fascinated by lace, textures and sweaters (now that I live in Oregon I can actually wear sweaters!). I like to knit pretty much everything!

(Editor’s Note: “Smitten with Mittens and Gloves” sounds like great title–or subtitle–potential!)

All other things being equal, colorwork? Or cables? You seem to enjoy both, but do you prefer one over the other?

I do love them both. How can you decide a favorite amongst your children? I love colorwork because, first of all, I love color. And colorwork is such fun to knit because you never want to put it down, you just want to see the pattern emerge! Colorwork makes such a nice fabric too, sturdy, warm, and crisp. Cables, on the other hand, are delicious too… how can you not love cables!? I love the complexity of cables and how you can make them go anywhere you want them to go. They are so sculptural and physical and lyrical. I can’t choose one over the other, I foresee a lot of color and cables in my future.

Rumor has it that you not only wrote your book, but self-published it, too. My hat’s off—tell us a little about that process while we bow at your feet!

Yes, I have a publishing company, Rustling Leaf Press that publishes my titles. Publishing yourself is a lot of work and takes a lot of discipline. There is no one giving you deadlines or guidance. You just have to put your rump in the chair and sit at the keyboard and get it done and figure it out along the way, and then you have to take a big leap of faith and plunk down your hard earned dollars and take a risk. It’s not for everyone, but if you have a stubborn personality, some good computer skills and a lump of cash you can publish yourself! I owe a lot of my publishing knowledge to Cat Bordhi and Deb Robson, both of whom are independent publishers. I learned the basic skills at Cat Bordhi’s Visionary Self-Publishing Retreat, and I had faith that Cat knew what she was talking about and set about getting my first book out there. Deb Robson has a wonderful blog, The Independent Stitch, that talks a lot about her experiences as an independent publisher and I have been an avid follower from the beginning. Both of these lovely women continue to mentor me from afar.

Would you rather be published by a more traditional publisher? Or do you prefer having total control over the process? (This is me, mind still boggling at the prodigious amount of work.)

Well, it depends on which day in the process you are asking this question… hahaha. There are certainly parts of the process I don’t relish as much as others. But I am a curious person and I really enjoy being involved in all parts of the process. Having said that, I would not rule out another publisher for certain projects, but I definitely see a lot more independent publishing in my future.

(Editor’s Note: It’s days later, and as a writer, I’m still extraordinarily impressed!)

I saw in one of your other blog tour stops that you’ve had a varied career history. What’s one thing in life that you’d like to do that you haven’t yet? Or would do if you could?

Oh, I think I’ve tried it all… [chuckle]. If I were younger I think I might have pursued my MFA or perhaps continued my biochemistry career. Or maybe I would have continued my dream to be a translator for the U.N…. nah… I think I still would have chosen knitwear designer! If we’re talking pure fantasy here – I would have liked to be an Olympic athlete!

Are there any other crafts that pique your interest? Or are you pretty much devoted to knitting at this point?

I’ve dabbled in a lot of crafts and had some pretty torrid affairs with some. I had a long stint as a quilter, and my first fiber craft was crochet. I am also a very avid spinner, and I’ve tried my hand at weaving too. I admire the paper crafts – when I was in art school I did a lot of prints and collages and photography, but right now I am pretty much in love with textiles of all types. Even the types of textiles I don’t do myself, I love to see and feel and collect them.

My dog is delighted that you have a dog appear on your blog from time to time. Tell us more! (Is it possible to talk too much about your dog?)

I actually have two dogs. Annabelle is my old girl. She’s about 16 years old which is really old for a big dog. She came to me through a co-worker who rescued her from a dog-fighting pit bull ring. They used her to let the pit bulls bite her. When I first got her she was so happy to be with me she didn’t leave my side for about a year. But she grew up to be happy and healthy and the sweetest dog on the face of the earth. My other dog, Gwen, was also a rescue. I found her wandering in a parking lot at the college I was attending. Every rib was showing and she’d been there for days. She’s my big goofball, she loves to loll around on the floor making me laugh.

(Editor’s Note: That’s two wonderful dog stories! On behalf of dogs everywhere, Chappy salutes you.)

f you had an extra two hours in the day, what would you do with them?

If I had an extra two hours I would cook more, or maybe I’d garden more. I just moved into a new house and I have a dishwasher and a garden for the first time. It’s opened up whole new vistas for me!

Name one yarn you’ve never tried but would love to knit with.

Well, there are so many I’ve never knit with. I think I’d love something that isn’t sock yarn! I’d like to try knitting with Jamieson’s Shetland or Solveig Gustaffson’s bohus yarns.

What is the one thing you would want to say to a new knitter?

There is a lifetime of interesting things to do in knitting! Don’t be afraid to try new things, and don’t be afraid to fail. My first knitted item was a sweater that was an epic failure, but I frogged it and re-knit it and got twice the enjoyment out of the very expensive yarn I had purchased. I learned so much along the way and felt a great sense of accomplishment. And I still learn and feel that accomplishment with every item I knit!

If you could have a superpower (knitting or otherwise), what would it be?

I’d like to have 8 hands! So that I could knit 3 projects and cook or do laundry at the same time!

Since this IS a site for book reviews–two questions: What do you look for in a book review?

I’m always looking to be introduced to something I haven’t heard of before.

And, since I’m slowly working my way through my knitting book collection, are there any particular books–other than your own, of course–that you’d like to see reviewed? Maybe I could bump something up the list for you?

Are we talking new books or greatest hits? I’d like to see Double Knitting: Reversible Two-Color Designs by M’Lou Baber, Iris Schreier’s Reversible Knits: Creative Techniques for Knitting Both Sides Right by Iris Schreier, and Reversible Knitting: 50 Brand-New, Groundbreaking Stitch Patterns by Lynne Barr and Thayer Allyson Gowdy

(Editor’s Note: I sense a theme, there. Pity I don’t have any of these!)

Thanks so much,

Books (so far):

• The Eclectic Sole
• The Enchanted Sole

Other posts for this author:

• Review: The Enchanted Sole

Thanks for letting me interview you, Clara!

I’m very excited about your new book, The Knitter’s Book of Wool, which I gather is about, um, wool? Your first book was an exhaustative look at different types of yarn, the fibers, the spinning methods … how did you find enough to talk about for another book solely about wool?

Wool is a whole universe in itself – it deserves several more books than just this one. The story of wool is the story of human evolution, of political and cultural and socioeconomic upheavals, of conquests and isolated islands and human migration and the rise and fall of entire empires. Each sheep breed has its own unique story, and its fleece has subtle differences (and similarities) that make the world of wool very much like the world of wine. There is a lot of nuance. From a knitting perspective, this means endless intrigue and variety. I wanted to help folks identify and appreciate the intrigue and have fun with it.

What’s your favorite part of the new book? A specific chapter? The idea behind it? The illustrations? The writing of it?

Quite honestly? I’m fond of the whole process, from start to finish. I loved assembling this amazing group of designers and getting to conceive the projects with them, and then watching these gorgeous knitted objects emerge from their needles. I absolutely adored researching about the breeds and wool characteristics and the history behind wool. And of course I loved sitting down on my porch, books and notes and swatches and skeins and fiber snippets all around me, and pulling it together into a manuscript I hoped would be useful to others.

Will you be doing a book tour for this new book? A blog tour?

I’ll be at the NY State Sheep & Wool Festival at Rhinebeck signing books on Saturday from 1-3pm at the Spirit Trail Fiberworks booth, and Sunday all day at the authors tent; I’ll also be at the Yarn Barn of Kansas booth at Stitches East on Friday October 23 from 2-3pm. I’ll also be on Kathy and Steve Elkins’ Ready, Set, Knit podcast, and Knitting Daily TV did a segment that will air at the beginning of January. And of course I’ll be representing my glorious state of Maine at String Theory Yarn on November 14th and Purl Diva on December 5th. Anyone else want a visit?

Your reviews of different yarns are a marvel of thoroughness. Yours were the first yarn reviews I ever read that went beyond basics like “soft,” “pretty,” and superficial comments like “a little splitty.” You’re like the Consumer Reports of yarn, testing everything. Not only how they feel to start, or how they knit, but what happens when they’re washed, how well they stand up to abuse, whether the dye leaches out … is this because you really love yarn? Or you secretly hate it and want to abuse it?

I really and truly love yarn. This becomes evident at knitting gatherings. While everybody else is grabbing one another’s sleeves and asking for the name of the design, I always, always want to know what yarn they used. I once approached a total stranger at a Maryland restaurant and asked if her sweater was O-Wool Balance. At first, the look on her face suggested she was trying to determine how quickly she could grab her cell phone and call 911. Then she relaxed and asked, with a puzzled smile, “Yes, I think it is. How on earth did you know?” I felt like I should tip my hat and say, “Just doing my job, ma’am.”

Do you love playing with yarn more than the actual knitting?

For me, playing with yarn is knitting.

When you are making something other than making swatches, what DO you like to knit? Sweaters? Hats? Socks?

I love to knit small useful things that have sculptural elements to them – particularly socks and hand-coverings.

The sock pattern you have available on KR is the one I used for my very first pair of socks. Do you think of yourself as a designer? Do you want to be?

I’m honored that you used that pattern! I consider myself more of a Facilitator of Yarn Play than a capital-d Designer. I really like creating useful, functional, attractive patterns that step aside and let the yarn do all the talking.

I understand that you were a writer before embracing this passion for yarn–what kinds of things did you write? What kinds of things do you most WANT to write?

I wrote about food and travel for several years, and then I changed courses completely and began writing about technology. I did that for many years until the lure of the tactile drew me back. I enjoy any kind of writing that involves turning away from the huge noisy world and focusing very intensely on one thing – whether it’s a restaurant, a particular ingredient, or yes, a yarn. If you look closely enough, everything has a captivating story. I like finding that story.

Did you ever imagine yourself as a computer/internet visionary? I love your Knitter’s Review site–what made you think of it?

Not at all. For me, the internet was simply a quick and extraordinarily effective medium for expression.

As much as I look forward to your KR weekly newsletter, I’ve always loved the KR forums–one of the first knitting “social networking” sites I discovered that really taught me a lot. What’s your take on this technological spread of knitting information? New techiques and patterns being so easily shared?

I think it’s wonderful. The more easily our knitting questions can be answered, the more easily we can get back to our knitting. For me, though, the actual act of knitting remains a very quiet, healing, solitary activity. Yes, the social networking elements are fantastic, but I’m also aware of the countless knitters around the world for whom the act is primarily a deeply fulfilling solitary one.

Do you think the online socializing at Knitters Review, Ravelry, and Knitty, not to mention all the blogs, has changed knitting?

I don’t think it has introduced any fundamental changes to the way we do things. I do think it has made the retrieval of information much, much easier. Questions can get answered in minutes. Curious what others have done with a yarn? Make a few clicks and boom, you have your answers. Traveling to Ohio and want to know if there’s a yarn store nearby? Click click click, presto, you have your answer. But social networking hasn’t changed the actual act of knitting one bit.

Of course, there’s no substitute for real life knitting … what are your favorite real-world interactions with other knitters?

I love being in a room with other people who are happily knitting away on projects. I love how the conversation ebbs and flows in a very steady, safe, comfortable way.

Tell us a little about the KR Retreat–what made you think of it in the first place? What’s the one thing you would say to someone thinking of going?

The KR Retreat really began as a post in the KR Forums. Folks in the Virginia area wanted to get together, someone suggested perhaps renting a condo by the beach, and the “me too!” replies started coming in like crazy. I realized this a big and important need among readers and that I should step in and organize it as an official Knitter’s Review gathering. Since then it has grown dramatically in size, changed locations a few times, but I work very hard to maintain an accessible, affordable, unintimidating, totally safe and welcoming spirit. You’d be amazed at how many long-lasting friendships have been forged over the course of that weekend. To anyone thinking of going, I’d say yes, please do! And also be aware that registration fills up within minutes, so folks need to act quickly.

The KR shop sells, among other things, your notecards. Do you take all the pictures yourself? Any tips or tricks for taking great photos of yarn?

Yes, I took all the pictures myself. The only tip I have for taking great photos of yarn is to use natural light. The flash is the enemy of all yarn photographs.

How about other hobbies? What NON-yarn-related things do you like to do? Any pets?

I love to bake, and I garden a lot in the summer (fruits, vegetables, and flowers). I also like to sail. And travel, and read. I have one adorably sweet little cat named Casey who keeps me company and does not get into my yarn.

Name one yarn you’ve never tried but would love to knit with.

I honestly can’t answer this question because as soon as I identify a yarn as something I’d love to knit, I procure a skein and start swatching. I don’t wait. Life is too short.

What is the one thing you would want to say to a new knitter?

Enjoy the adventure. Relax, have fun. Things may look or feel weird at the beginning, but just keep going. Don’t be afraid to try new yarns, new needles, new techniques, everything. And there is no such thing as failure – you learn from absolutely everything you do.

If you could have a superpower (knitting or otherwise), what would it be?

I’d love the ability to know—definitively—what fiber, and how much of it, is in every yarn I see. Call it Fiber-Ray Vision.

Since this IS a site for book reviews–two questions: What do you look for in a book review?

When I read book reviews, I most enjoy the ones that are well written and that teach me something, or that take me on some kind of journey related to the book’s subject—always artfully weaving the book in relevant and insightful ways. I also appreciate book reviews that keep the book—and not the author’s own personality—in the forefront. And I tend to avoid reviews that just rehash the cover flap or table of contents. That doesn’t respect the reader or the review genre one bit.

Thanks so much,

Books (so far):

• Knitter’s Book of Yarn
• Knitter’s Book of Wool

Other posts for this author:

• Knitter’s Book of Yarn.

(sound of knitting needle applause)

So, you’ve got a new book , Socks from the Toe Up, coming out, and I gather by the title that it’s about, well, socks? What made you decide to focus on socks?

The publisher, Potter Craft, approached me about doing a book on socks from the toe up and I was only too happy to oblige!

Your first book was as much memoir as knitting patterns, I’m guessing this one is different?

It is indeed! The book starts off with an extensive illustrated step-by-step “how-to section” – all the techniques you need to know to knit toe-up socks. The patterns themselves are divided into sections: Simple Lace, Intermediate Lace, Advanced Lace , Textured Gansey, Cabled, and Sportweight. There are 20 patterns total in those sections, and three basic or “template” sock patterns.

What are you most excited about, in this book?

Something I had absolutely nothing to do with: the incredible photography! I can’t wait for everyone to see the book because it is so pretty.

What are you doing to launch the book? There’s been an obvious focus on socks on your blog for a while–not exactly a surprise–is there any type of knitting that you’ve missed doing?

Not really. While I’ve been focusing on socks, I do throw in something else from time to time – a sweater, a shawl, mittens, etc.

Your page of finished objects is impressive. You seem to have tried just about every type of knitting out there.  Is that out of curiosity? Personal challenge? Boredom?

I go through periods in my knitting where I become obsessed with a particular type of knitting, and that’s all I want to do. Then I get bored and move on to something else.

Do you think of yourself as an adventurous knitter? You don’t seem to be afraid of anything. Lace. Color work. Cables. Steeks. Does nothing faze you?

I guess I am adventurous. And I can’t think of anything that fazes me, knitting-wise. After all – it’s just sticks and string, right?

Are there any knitting traditions you have NOT tried? And, do you want to?

There’s nothing I can think of off the top of my head. I’m sure there are knitting traditions out there I’ve not yet discovered, though.

Techniques or styles you don’t like?

I don’t like entrelac because I think it is, well, kind of ugly.

For a cold, dreary, rainy day … what’s your ideal “comfort” knitting?

Lace! Light-as-a-cloud lace in a luxury fiber.

I don’t remember ever seeing any novelty yarn on your blog. Did I blink? Or do you truly never use it?

I have used very little novelty yarn in my life. Somewhere in my blog is a photo of Lucy draped in a fun fur scarf (and looking embarrassed). But as I recall, that was a partial skein I was given and I knit it, just to see what it looked like knit up.

I’ve wanted to tell you for the longest time that yours was the very first knitting blog I ever read–even before I really knew what a blog was. (A website that updates every day, how cool.) What made you start blogging?

I took up blogging out of boredom! I was at a two-week training course for work, sitting in a motel room in Pensacola Beach, Florida during what was probably the rainiest 2 weeks there since the advent of recorded time. I had a laptop with me and a dial-up AOL connection (although the phone lines keep going down due to high wind), and set up a blog using blogger and hosted it at blogspot. Soon after I returned home to my high-speed connection, I moved the blog to wendyjohnson.net. A couple of years later I moved it again to wendyknits.net

(Editor’s Note: I hope you appreciate how I toned down the gushing.)

What are your favorite kinds of posts to write? Humorous? Informative? Instructive? General? Or the mish-mash kind that have a little of everything?

I love writing up tutorials with step-by-step instructions for doing something. (See my “How to create a chart in Microsoft Word” post) In the past I’ve worked as a technical writer documenting systems and software, so I do love to write up how-to stuff! And I love off-the-wall posts that have nothing to do with knitting. Because I just crack me up sometimes.

Your record of posting every day is darn impressive–any tips for for bloggers who struggle with that?

Keeping a blog and making a commitment to post to it “x” number of days a week is a great writing exercise. I actually post only 5 days a week, so having the weekends off helps me keep to that schedule. If you can’t think if anything to blog about, you just have to sit down and start writing. Some of my blog posts are (cough cough) less than stellar. But a Lucy picture always helps!

Are the daily pictures of Lucy her idea? Is she secretly in charge?

No question. Lucy has me wrapped around her floofy little paw.

(Editor’s Note: Ahem. Not something I can relate to at all! (cough) Because, I have a DOG ( who’s got me wrapped around his paw).)

It’s always refreshing to find someone who puts fewer miles on her car than I do. (My more vehicularly-active relatives always laugh at me.) What is your odometer up to these days? (Mine, for my 7-year old car, is just under 50,000.)

I currently have about 11,500 miles on my 2004 Honda Civic, which I bought on February 28, 2004.

Do you still spin? You started just before I did (in fact, your spindle purchases got me started), but I haven’t seen any handspun yarn in a while.

Sadly I no longer spin, due to back problems. I sold all my wheels except my Lendrum, which is folded away in its carrying case, waiting for the day that I can get a spine transplant. ;-)

Clearly, you’ve been an inspiration to me, and I know you have been to countless other knitters and knit-bloggers out there … how does that make you feel? Proud, awed, and just a little bit humble?

Amazed! Gobsmacked! Grateful!

And how about you? Who has inspired you as a knitter and/or as a blogger?

So . . . much . . . inspiration. I’m inspired by everything around me – stuff I see everyday, blogs and magazines I read, knitters I know “in real life.”

Best blog comment ever?

That’s hard to narrow down, but the comments that I love best are ones from people who’ve told me that my adopting Lucy from a rescue organization has inspired them to adopt a pet from a shelter. Also, I love to have knitters tell me they have tried something outside their comfort zone because I encouraged them to do so.

Are there any crafts that you’re interested in but haven’t tried? But that you’d like to?

I’ve tried a lot of them (including making paper!) and knitting is the only one that really stuck. I did sew for years, but that stemmed more from a desire for couture-quality clothing than from creative impulse – I always followed a pattern when I was sewing.

So, when you’re not at work, not knitting, not blogging, and not adoring Lucy … what other things do you do in your free time?

Classic movies! I love classic movies, and my very favorites are British films from the 1940s through 1960s. I’ve said it before and I’ll say it again: my dream job would be introducing the movies on Turner Classic Movies. I will also admit to a liking for Irish and Scottish whisky.

If you had an extra two hours in the day, what would you do with them?

Knit! Preferably while watching a David Lean film.

Name one yarn you’ve never tried but would love to knit with.

Off the top of my head I can’t think of one that I want to try that I haven’t.

(Editor’s Note: Lucky!)

What is the one thing you would want to say to a new knitter?

Be fearless! Don’t pay too much attention to people who say they are afraid to try a knitting technique (steeking comes to mind). If you screw up you knitting, at the very worst you’ve wasted time and yarn. And you probably learned something from it.

You work in a secret, government agency, right? Admit it. It’s just a cover for some kind of knitting superhero, right? If you could have a superpower (knitting or otherwise), what would it be?

Okay, you are on to me. I am on the shortlist to be named to President Obama’s Cabinet in a new position: Secretary of Knitting, heading a new agency: the Department of Knitting If I had a superpower . . . do I have to narrow it down to just one?

Since this IS a site for book reviews–two questions: What do you look for in a book review?

I like knowing the number and type of patterns, the size ranges, and the yarns used. And I do like hearing the reviewer’s opinion of the book, even if it differs from mine!

And, since I’m slowly working my way through my knitting book collection, are there any particular books–other than your own, of course–that you’d like to see reviewed? Maybe I could bump something up the list for you?

I’d love to see both Carol Sulcoski’s Knitting Socks With Handpainted Yarns and Cookie A’s Sock Innovation reviewed because I am all about the socks.

(Editor’s Note: Um, I reviewed Carol’s book in December, and Cookie’s? I’ve actually got it right here, just have to get the review written up. So, it’s coming!)

Thanks so much, Wendy! Books (so far):

• Wendy Knits: My Never-Ending Adventures in Yarn
• Socks from the Toe-Up: Essential Techniques and Patterns (Publication date: April 2009)

Other posts for this author:

• Review: Wendy Knits.

Today’s guest is Franklin Habit from The Panopticon. (You may know him as housemate to Dolores the sheep.) Franklin has a new book coming out called It Itches.  Welcome!

I’m looking forward to seeing your new book and have had it pre-ordered for ages. Any hints as to what we can expect? Is it all cartoons? (I’m thrilled that the “It Itches” one is being used for the title and cover, by the way. I love that cartoon, and even bought a set of the notecards when you put them up for sale.)

Thank you–the itchy lamb cartoon is especially dear to my heart, and I was delighted when Interweave agreed that it should be the title drawing. Although the book is mostly cartoons, there are also ten written pieces as well–including excerpts from lost knitting diaries of the famous, and a historical piece on a remote Yorkshire village that was known for centuries for a rather unusual form of knitting.

I’m so jealous that you draw so well. Is it something you’ve always done? And … do you mostly stick to the cartoons and sketches, or do you do “Aaahrt” as well?

Well, the first time anybody noticed my drawing I was a bit less than two years old. My mother caught me scribbling with a crayon on my bedroom wall, and got a little freaked out when she realized she could tell exactly what I was drawing: three cats sitting on a fence in the middle of a field.

(Of course, nowadays I believe most modern parents would have shellacked over it to preserve baby’s precious artwork. My mother made me scrub it off, all by myself. I rather prefer my mother’s approach to child rearing.)

As for art versus sketching–I’m not sure what the difference is. Is there a difference?

(Editor’s Note: I believe it comes down the amount of money you can sell it for.)

Trick question: Do you think your writing is better? Or your drawing? (Or your knitting?)

They’re all disciplines at which I work very hard, every day. And there are days when I don’t feel competent at any of them. About the relative merits of each–well, I’ll let others debate that.

Because, of course, your knitting is fabulous, too … you learned that in prison, right? Or that was just a filthy rumor?

Maybe I did. Maybe I didn’t. It’s too good a rumor to confirm or deny. Might ruin my carefully cultivated bad-boy image.

You’ve got amazing lace skills. What’s your favorite part about knitting lace? Or, really, what’s your favorite part about knitting in general?

Thank you, but I don’t know that I’d say I’m amazing. Ambitious, yes. And determined not to let inexperience keep me from knitting whatever I want. I know amazing truly amazing lace knitters next to whom I’m only an ambitious novice. What I like about knitting lace – aside from the beauty of the finished piece – is that the process forces me to sit still and focus. I love to concentrate, but have always struggled with it. Lace has been an enormous help in learning to calm down.

What gave you the idea for your 1,000 Knitters project? Has it been as inspiring as you expected it to be? Or just faster?

The 1,000 Knitters Project began as an attempt to salvage an old idea that couldn’t quite get off the ground. I’d been advised by a mentor to set a goal that couldn’t be finished quickly and that pressed some of my fear buttons. So I figured this project would take ten years, and the results would never be published.

Of course, after the humbling and overwhelming support of all the knitters, I’ve realized that I do need to publish it somehow–it has come to mean a lot to many others, not only me.

The project has taken me to places–in a literal sense, and in a creative sense-that I never dreamed. There is so much rich material in what I’ve gathered that I can hardly wait to begin shaping the finished piece.

Any plans for what you’re going to do with the scarf that the 1,000 knitters have made?

I live in Chicago. It’s cold here. It’ll be great for wearing while I wait for the bus. A full-body scarf in 100% wool.

But if I can arrange for a gallery show of the project, of course the scarf will be the centerpiece. And if 1,000 Knitters becomes a book, then I’ll work photos of the scarf into that, as well.

How long IS the scarf now?

I don’t know how long the scarf is. I’ve grown almost superstitious about not measuring it until it has been bound off. I can tell you, though, that when I spoke about the project at a meeting of the Common Cod Fiber Guild in Cambridge, Massachusetts, the unfurled length reached from the podium to the back of the lecture hall.

So, you knit. You draw. You take photographs. You write really well. You’re downright funny. Any other hidden talents? Baking prize-winning streudel? Whittling clothes-pins? Reciting the Gettysburg Address backwards?

You make me blush, madam.

I’m not always good at it, but I love to cook. At one time I wanted to be a professional chef, and my six-foot shelf of cookbooks still dwarfs my four-foot shelf of knitting books.

I do make good pie crust. If I need to wow somebody across the dinner table I usually include a pie.

Mmm. Pie.

(Editor’s Note: I should have known you can do pie crust, too. I think everyone can but me!)

I love reading about Dolores’s adventures–though she sounds like a tough roommate. As I recall, though, she showed up on your doorstep when you took up spinning. Has she ever actually helped you with that?

To say that Dolores ‘helps’ with anything doesn’t quite capture what really happens. Dolores often thinks she’s helping, but the end result isn’t what anybody expected. Some stuff I’ve never blogged about, like the time she tried to help the rich widower down the hall rediscover the joys of living and we wound up having to summon an ambulance.

Did you ever expect her to take on such an … active place in the knitting community?

You mean, I am envious that SHE got a Ravelry fan group called the Dolores Devotees before I even got in the door? Oh, heavens no. Not a bit envious. Not me. Nope.

Any chance that Dolores is promoting your book while she does her campaign tour? Do you think that would help or hurt the book sales?

She offered to sell copies, but I knew perfectly well she’d be trading them for Pall Malls and Jack Daniels. I wasn’t born yesterday.

Speaking of Dolores, I was wondering–how does she get the cigarette smoke out of her wool?

My goodness, we get that question a lot. Without giving too much away, the answer is liberal daily applications of a special blend of Kookaburra Wool Wash, Windsong, Febreze and eleven secret herbs and spices.

I’m almost afraid to ask … are any of the characters who make cameo appearances on your blog based on anybody, um, real? (Other than fellow bloggers, of course!)

I don’t make anything up, lady. I just report what happens.

(Editor’s Note: I believe you, but I’m sure you can understand a certain amount of curiosity!)

And–if I could just ask Dolores a question–If you’re elected as President, what’s the first thing YOU’RE going to do to help the country through this difficult time?

I’m sorry, but she started describing her stimulus package and immediately veered into territory inappropriate for your mixed audience, so I cut her off.

(Editor’s Note: I appreciate that. I don’t hold with censorship, as a rule, but this is a family blog.)

Name one yarn you’ve never tried but would love to knit with.

The British Breeds wools from Rowan. I first played with skeins of it last month at Woolcott and Company in Cambridge, Massachusetts, and fell truly, madly, deeply in love. Gimme.

What is the one thing you would want to say to a new knitter?

One chief suggestion, “Be fearless,” with two sub-suggestions, “Ignore difficulty ratings,” and “Never follow blindly-use your own brain.”

If you could have a superpower (knitting or otherwise), what would it be?

I wish I had some sort of magic hug with the power to instantly calm and comfort.

That sounds disgustingly sentimental, as though I secretly dream of being a Care Bear, but I mean it. I’ve needed a hug like that more often in life than I care to think about.

Since this IS a site for book reviews–two questions: What do you look for in a book review?

I like reviews that convey a good sense of what reading or using the book would be like–that talk about how the book is arranged and how well that works, or doesn’t. (You do a good job of that.)

And, since I’m slowly working my way through my knitting book collection, are there any particular books–other than your own, of course–that you’d like to see reviewed? Maybe I could bump something up the list for you?

You’re so kind to ask, but I love being surprised. Keep on trucking.

(Editor’s Note: Not particularly helpful, but very gentlemanly, so I suppose I can’t really complain.)

Thank you so much for stopping by, Franklin. This was such fun!

Don’t forget, everyone, the book is It Itches published by Interweave Press, and is out any day now. (Be sure to check out all the official website for excerpts and such.)

Other posts for this author:

• It Itches.

(Continuing our interview from Part One…)

Do you try to branch out into different yarns for the books? Or do you tend to stick with yarns you already know?

• Kay: We have our favorites, but the lure of new yarns is so compelling…..the book has a broad mix.

• Ann: I’m happy about all the wools in the book. I spent a lot of time squeezing skeins, and it was educational and also big fun.

How much do you collaborate on the patterns? Or do you each do your own thing, and then just pool them for the book, like you do for your blog posts?

• Kay: We collaborate a lot on our patterns. A lot. Not so much about the details of construction, but about color and the overall look of the thing. We talk a lot about what this thing refers to, what it conjures up that makes us want to knit it, wear it, own it. The coats are a prime example of that–we talked and talked about coats we loved, and why we loved them, and TV heroines who wore great coats. Wearing a great coat or jacket can change your whole day, but why? We wanted to knit that kind of coat. Bonne Marie and Mercedes totally got what we were talking about. The same with the Cardi Cozy (a featherweight, transparent cardi, to be worn over a … cardi). We literally talked that pattern into existence. “Wouldn’t it be cool if….”

• Ann: I often find myself paralyzed by a shade card. Kay is really good at talking me down from the bell tower when it comes to color.

Last time, you had a bunch of patterns by other designers—are they back for Outside the Lines? Or are all the designs from your own brains?

• Kay: Working with people we admired was a big geeky thrill for us. We called on people whose work we know and love. Our designer contributors to this book were Anna Bell, Ann Hahn Buechner, Bonne Marie Burns, Mary Neal Meador, Cristina Shiffman and Mercedes Tarasovich-Clark.

You’re going on book tour next month and looking at the stops, I’m curious. You’re visiting the Southeast US, New York (state and city), and … the Northwest? What did Seattle and Portland do to get you to cross the Rocky Mountains?

• Kay: Don’t forget about Minneapolis! We’re thrilled to be going to all of these places, but to be honest it’s the publicity department that selects the cities. There are always more places we’d like to go.

• Ann: Actually, it’s pretty much due to the availability of coffee. We heard that in Portland and Seattle, coffee comes out of the taps, so that tipped it for us.
  (Editor’s Note: Of course, the coffee. How could I have missed that?)

Do you travel together on tour? Or just meet up in each new location?

• Kay: It’s arm-in-arm, all the way. Off we go!

• Ann: You learn a lot about somebody when traveling together. Last time we were on the road, I saw with mine own eyes the fact that Kay could complete an entire blanket within, like, two weeks. It was the Tour de Blanket. It was incredible.

Dangerous question: Are you at all nervous about leaving your husbands in charge of the house while you’re touring?

• Kay: Yes.

• Ann: I’m more nervous about coming back. By the time I return, the music studio in the basement could well have expanded into the den, the kitchen, and our bedroom. Hubbo may rent out the extra bedroom to a slide guitar player. Heckyeah, I’m nervous!

What part of the tour do you most look forward to? The crazy knitting parties? The junk food? Seeing lots and lots of knitters (and new yarn shops)?

• Kay: The people, for sure. The people who come to our events come with handknits, and they come with stories, and they come ready to have a good time. The only thing I didn’t like last time was that sensation of everything going by in a blur.

• Ann: Really looking forward to seeing people who are as committed to the all-knitting lifestyle as we are.

Looking at your “Superthrilling Sneak Peek,” that blue (purple?) sweater looks gorgeous—but I can’t read the back. What does it say? Something about a small group of citizens changing the world?

• Ann: Mary Neal Meador, the designer, quotes Martin Luther King, Gandhi, and on the back, Margaret Mead: “Never doubt that a small group of citizens can change the world. Indeed, it is the only thing that ever did.”
  (Editor’s Note: LOVE that quote.)

You had a list of “Must Knit TV” in book one–I loved the Frontier House and Colonial House series, too, by the way–any new shows you’d like to add to that list?

• Kay: Ann is going to say Project Runway. Ann is all about the Project Runway. Masterpiece Theatre and Mystery! on PBS are still my most reliable butt-on-sofa series. Cranford, with Dame Judi Dench as Miss Matty Jenkyns, was the best knitting TV I’ve ever known. Earlier this year PBS ran one Jane Austen series after another, which was also choice. My daughter and I are both addicted to Little People, Big World and basically everything else on TLC. Much knitting gets done.

• Ann: My Tivo is collecting all sorts of choice knitting viewing: Mad Men (a new obsession); of course Project Runway and Top Chef which really is not quite as sublime but perfectly OK; any election coverage because I love to yell at my TV; and the ultimate, Stephen Colbert’s The Colbert Report.

Any socks in your future? Because, if you hadn’t noticed, they’re really quite popular…

• Kay: I’m not going to tell her. Ann, you tell her.

• Ann: Yes, we have socks in the book. I’m the sockist in this duo. The fact is, I named a sock pattern for Stephen Colbert. I wanted to name the book for him, but Kay thought that might seem sort of stalkerish. He is the funniest person on television, now or ever. Just brilliant.

Name one yarn you’ve never tried but would love to knit with.

• Kay: I’d like to see linen mixed with more fibers, because it has such drape and the colors are so intense. Linen and silk. There needs to be a yarn that is linen and silk, a fine strand of each, plied together. Habu probably has it! I think of linen as the greatest most underappreciated luxury fiber. Occasionally I run into a knitter who loves linen as much as I do. I think Ann loves it as much as I do.

• Ann: Love it? I’m going to name a pet for it. I’ve never knitted cashmere. That seems like a very good idea.

What is the one thing you would want to say to a new knitter?

• Kay: This is going to be one of the best, happiest things in your life. Really. Keep at it, and never knit anything you don’t want to knit.

• Ann: Have confidence about what you’re doing. And assume you’ll do some goofy stuff on those first projects! I once sewed a sleeve to a side seam. It looked like a Bat Cape.

If you could have a superpower (knitting or otherwise), what would it be?

• Kay: Time travel.

• Ann: Totally, time travel. I dream about it all the time. It’s why sometimes I dress up like Queen Elizabeth I. It’s as close as I can get.

Since this IS a site for book reviews–two questions: What do you look for in a book review?

• Kay: Kindness to the authors! Seriously, I look for a sense of what the book is really like, a taste that doesn’t tell me everything, so that I’m still excited to read it myself.

• Ann: Yes, I like to be intrigued but maybe not totally sated. The joy of a knitting book is that each page is a surprise. I don’t really want to know every little detail ahead of time.

And, since I’m slowly working my way through my knitting book collection, are there any particular books–other than your own, of course–that you’d like to see reviewed? Maybe I could bump something up the list for you?

• Kay: You’ve got a great list. Pretty much anywhere you want to start would be fine by me.

• Ann: Ditto.
  (Editor’s Note: Drat. That answer was no help at all.)

Thank you so much, ladies, for stopping by. This was such fun!

Don’t forget, everyone, their new book is Mason-Dixon Knitting: Outside the Lines, published by Potter Craft and is out on Tuesday, September 16th.

Today, I’m talking to Kay Gardiner and Ann Shayne of Mason-Dixon Knitting, who have a new book coming out on September 16th. First, let me welcome you to Knitting Scholar. I’m honored to have you as my first guests!

• We’re tickled to be here (wherever “here” is.)
  (Editor’s Note: That would be New Jersey.)

I’m looking forward to seeing your new book, Mason-Dixon Knitting: Outside the Lines. You hinted on your blog that there are items that not only are not square, but which have sleeves. Is this true, or just a nasty rumor? What can we expect?

• Kay: Ann and I are responsible for some sleeves, all right, but the big sleeve-makers in this book are three of our contributors: Mary Neal Meador, Bonne Marie Burns and Mercedes Tarasovich-Clark. These women are on the cutting edge of putting sleeves on knits. They designed pieces that are both gorgeous to wear and fun to knit.

• Ann: Yes, there are sleeves, but there is a little bit of everything in this book. We were shooting for a mix of projects that would give knitters something to make no matter what their mood: looking for adventure, in need of comfort knitting, on a quest for a little meditation, or in a hurry to crank out a present.

There were a number of patterns in your first book that practically took on lives of their own. The Ballband Dishcloth, for example, just exploded. Last time I checked, there were 3,277 projects for that pattern alone over at Ravelry. What project out of the new book do you think is most likely to explode in popularity like that?

• Kay: We have no idea whatsoever. If we guessed we’d be wrong. As much as we love the Ballband ourselves, we never knew it would strike such a chord. The new book has some tasty snack items that may have that instant-gratification factor that the Ballband has, but I’m not even sure that that’s the reason people love the Ballband. It’s just….the Ballband!

How is this book most UNLIKE the first book? What do you think will be the biggest surprise?

• Kay: If we told you the biggest surprise, it wouldn’t be a surprise anymore! In both books, we knit, and write about, things that are exciting to us right now, at the time we are putting the book together. It’s very organic. Nobody gave us a list of requirements for either book, which is what made the process so fun for us, both times. We just went whole hog with whatever was lighting our fire at the moment. I think some readers of the second book will be surprised that I am capable of knitting something requiring more memory than garter stitch. In truth, garter stitch was something that I rediscovered, like a whole new thing, after I had been knitting sweaters for years. This time Ann really went to town with Fair Isle, her life’s grand passion. (Her knitting life’s grand passion.) In both books, I think we are, consciously or unconsciously, trying to bring out the unexpected possibilities of types of knitting that people think they already know about.

• Ann: I think this book is more populated than the first. We had an amazing time working with the models in this book, all of whom are friends and friends of friends and in one hairy case, a fleeting, anonymous encounter. All the clothes in this book required humans to model them, and we really enjoyed making that happen.

Do you have a favorite pattern? Or do you love them all equally?

• Kay: I have a special fondness for the Margaret Sweater by Mary Neal Meador. It’s magical. It’s like something out of a fairy tale, it’s like a relic of another age, which you can also wear to the grocery store. I’m also soft in the head about homey/cozy/kitschy kitchen things, so I love the crazy oven mitts. They came to me in a vision. But if you ask me tomorrow, I’d likely pick other projects. I’m fickle.

• Ann: I feel like my nine year old in the skateboard shop when he announces that he wants ALL the skateboards. I like all the projects a lot. We did a fair amount of culling as we went, so the final test for us was, in the end, a simple question of which patterns we loved the most. I’m already scheming up some hybrids that use one technique for another pattern in the book, so I’m to have some (lovely) (not creepy) Frankenstein moments in the coming weeks.

You mentioned in your first book that you’re not a fan of scarves as first projects, that “the insane euphoria of starting out tends to bog down once you start to get the hang of it, and the demoralizing second half of a scarf can suck the joy out of the whole idea.” I entirely agree with that (and it’s one of the reasons that I think I’ve completed exactly one scarf in my knitting career). But, if a scarf seems endless, isn’t an entire blanket even worse? It’s just as long, but a whole lot wider and presumably a lot more endless, but you have such gorgeous afghan patterns … can you explain that?

• Kay: I think it’s a question of scale. Knitting something huge–something that is 10 scarves worth or more– feels like a mission to the North Pole. I get really excited about getting to the finish line. I also tend to use these large scale projects as something to center me and occupy my hands while I’m doing something tedious like a long subway ride.

• Ann: Remember, the key here is “first project.” A scarf may be a bad first project, but man, once you get the fever, a blanket is not a problem. It’s simply more of that thing you love to do. And the blankets I’ve made really are daily treasures.

Do you have any tricks for getting a project past that “Even my knitting needles are bored” hump? Or do those projects get abandoned?

• Kay: I sometimes put things aside for a while if my enthusiasm lags, or more likely, if I get swept up in a new project. (This happens all the time, and for me it’s part of the joy of knitting–the Next Great Knit is always just around the corner.) This happens sometimes when I’m working on a huge blanket. It will get stalled when I can’t figure out what the next color should be, or it’s time to figure out how to lay out 80 squares. But when I find it again, or it needs to be finished for somebody’s wedding or something, it suddenly seems fresh again. It’s like, hey look! Somebody has left me a whole blanket that’s ALMOST DONE. When I was working on my “Buncha Squares” blanket, an entire year passed between finishing the squares and sewing it together. Then I got so excited about bordering it and seeing it done. I couldn’t believe I had let it languish for so long, but the truth is that during that year I just didn’t feel the love for those squares. I had lost the idea of what I originally was so excited about.

• Ann: In my opinion, the trick is to have at least a dozen projects going at once. Whatever bag of knitting is nearest is what I’m working on. And because there are so many bags lying around, I’m never knitting on one thing for too long.

Book number one had a lot of fun, beautiful color combinations, and the zigzag rug you gave us a glimpse of last month implies that the new book will have just as many. Are you always adventurous with colors? Or just with household items like dishcloths and blankets?

• Kay: I love all colors, including navy blue and charcoal grey. I wouldn’t say I dress that colorfully, but I don’t shy away from color. Life is too short. If it’s pretty, wear it. Especially if it’s a jacket. Never enough jackets!

• Ann: I tend to like murky colors, or no color at all. I find the subtlety of dark colors really beautiful. But I’m the one who picked out the zigzag rug colors, so you never know when a color binge is going to hit. By the way, I’m knitting a lipstick red version of the Yank coat in our book. I am going to look like the British are coming.

Obviously, you’re both designing for the book—what makes Kay’s patterns different from Ann’s?

• Kay: We’re different people. Our tastes overlap a lot–quilts, old textiles that smell funky–but they also diverge a lot. The fact that Ann likes something can make me give it another look; I’m curious to know what she thinks is so great about it. She’s very persuasive that way. It’s a conversation that just keeps going–”what are you knitting?” Someday, I’m going to cast on an Alice Starmore design. Ann has a lot to answer for!

• Ann: There is a definite wool/cotton divide in what we do. Kay’s fondness/obsession/unholy love of cotton and linen informs a lot of what she cooks up. I never met a wool I didn’t like. I mean, ever. It cannot be too scratchy, too lanoliny, too sheepy. Unless, I mean, it’s still on the sheep. I do have my limits.

What part of designing gives you biggest surge of adrenalin? Finding the right yarn? The colors? Seeing the finished product?

• Kay: For me the greatest excitement is the moment I come across the inspiration: the painting at the exhibit I didn’t want to go to/the chic woman in the coffee shop/the boy on the skateboard. That moment when you think, “I’m going to KNIT THAT,” whatever it is. I start thinking about how to interpret that thing in knitting, what yarn, how to translate some detail visually, in the vocabulary of knitted stitches. I love that flow state. I also get quite a lot of satisfaction from writing directions in a straightforward way. This is a deeply nerdy thing. One of our projects has six tables, one for each size. I’m going to be remembered for those tables. They are my legacy.

• Ann: That moment of inspiration really is addicting. It seems to happen for me when a number of elements percolate for a while–a certain yarn, a color idea, a silhouette–then they merge into something that seems like a good idea. Of course, a good idea doesn’t always result in a good project. And that can be painful and humbling. In a low-stakes sort of way, which is what is so great about knitting. It doesn’t work? Move on!

Okay … we’re going to take a break here so Kay and Ann can get some coffee and get some knitting done. (Because, unless they really are superhuman, they need both hands to type like the rest of us.)

Part two is coming up!